By Edward Mussawir
Jurisdiction in Deleuze: The Expression and illustration of legislations explores an affinity among the philosophy of Gilles Deleuze and jurisprudence as a convention of technical felony notion. the writer addresses and reopens a crucial aesthetic challenge in jurisprudence: the variation among the expression and the illustration of legislation. Deleuze is taken as supplying not only a huge methodological restoration of an ‘expressionism’ in philosophy – in particular via Nietzsche and Spinoza – but in addition an incredibly useful jurisprudence which recasts the most important technical phrases of jurisdiction (persons, issues and activities) when it comes to their distinctively expressive or performative modalities. In taking note of law’s expression, Deleuze is hence proven to supply an account of ways which means could connect to the tool and medium of legislation and the way felony hope should be registered in the texture and expertise of jurisdiction. Contributing either to a renewed transposition of Deleuze into modern criminal concept, in addition to to an rising curiosity in law’s know-how, establishment and instrumentality in severe felony reports, Jurisdiction in Deleuze can be of substantial curiosity.
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Additional info for Jurisdiction in Deleuze: The Expression and Representation of Law
Ames Hodges and Mike Taormina (New York, NY: Semiotext(e), 2006), pp. 181–187, at 182 and 186. Expressionism in jurisprudence 15 3 The theoretical and etymological connection of jurisdiction with speech and expression is clear. Jean-Luc Nancy writes that ‘Jurisdiction is the fact of saying right . . such, indeed, is the logical duty, office, and right of “saying” . ’: JeanLuc Nancy, ‘Lapsus Judicii’, Trans. ), A Finite Thinking (Stanford, CA: Stanford University Press, 2003), pp. 152–171, at 154.
As soon as one places a ‘subject’ outside and transcendent to the terms of law or rights (that is, as that to which rights are singularly applied to or invested in) then one loses the perspective by which rights are uniquely connected to concrete situations. It is not enough to simply acknowledge the distinction between ‘legal person’ and ‘subject of rights’ in order to pose the problem as one of jurisprudence; rather, one must be prepared to survey a plane actively devoid of the transcendent terms of subjectivity in the context of which the person becomes a practical tool or technical instrument.
This is one reason why in this later work, an ‘image of law’ can no longer be accurately ascribed to Deleuze’s thought and is also no longer described as ‘new’. Deleuze, L’Abécédaire. Deleuze, ‘Painting Sets Writing Ablaze’, p. 182. Tim Murphy, ‘Legal Fabrications and the Case of “Cultural Property” ’ in Alain Pottage and Martha Mundy (eds), Law, Anthropology and the Constitution of the Social: Making Persons and Things (New York, NY: Cambridge University Press, 2004), pp. 116 –117. g. Dorothea Olkowski, Gilles Deleuze and the Ruin of Representation (Berkeley, CA: University of California Press, 1999).