By Kenneth Winchester
;Art of Woodworking -Outdoor furnishings КНИГИ ; ХОББИ и РЕМЕСЛА Автор: Kenneth Winchester Название: artwork of Woodworking - outside furnishings Издательство: Time-Life Books Год: 1996 Формат: djvu Размер: 5,2 МбДля сайта: www.mirknig.comКнига на английском языке.Книги из серии The paintings Of Woodworking являются энциклопедией столярного дела.В них можно найти все, что связано со столярными работами.Разобраться можно и без знания английского языка, книги богато иллюстрированы.Выпуск посвящен изготовлению дачной и садовой мебели. .com uploading.comuploadbox.com sixty eight 1 2 three four five
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Side rail ---+-0 L Front rail - 37 - -. --' Armrest I ~ % t Tip-top stands were immensely popular during the Federal period lind were produced both in formal style» by urban workshops and in more spontaneous forms, like this piece, by rurul craftsmen. 18 - Candlestand Chapter 4 ip -to p stands have a dual personality, changing character when their tops are raised or lowered . This characteristic is shared by two other tabl es in this book, the card table (p . 10) and th e Pembroke table (p . ]56).
Th e limitations created by th ese factors , howev er, are a lso a so fa 's strength s. More than most o the r pi ece s of furn iture, a sofa h elps create a d eeor. --31 - Federal -period Ame rica ns appreciated the complex contribution a sofa made to a room , but they admired this piece of furniture for o th er re a so ns as well. Theirs was an age o f wood , and upholstery wa s weleomed sinc e it produeed sofas and chairs that were both softer and , on a cold winter night, warmer than wooden ones.
H in . -di a. - 'l l=,. 1 I ~ \ If- I dl --. ' fo r t he reedin~ . -d eep reeds on lig hten to ,'cry f inely cur r eed s ti t n eck . Next re move th e turning from th e lathe and adj us t th e top edge of th e too l re st to th e e xac t c enterline betwe en th e d rive a nd ta il ce nters, as ex pla ine d in th e c ha p te r o n th e a rc hitec tu ra l mirror (p . 20). Remount th e turning and p lac e the re st ro ug hly parall el to it and a bo u t an inch a way. Now sha rpe n a so ft le ad pe ncil a nd set it on th e rest wit h its poin t o n th e sc ri bed lin e .