By Jay Johnson
This illustrated advisor to American people artists and their paintings spans a century of painters from Grandma Moses to Kathy Jakobsen and covers such media as sculpture, pottery, and cloth creations.
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Extra info for American Folk Art of the Twentieth Century
In his fifties, artist and life. As writer, but early Aulisio established himself as a painter after being greatly encouraged by the acceptance of his work at a local museum. " Aulisio's work is primarily oils on canvas and is highlighted by deeply sensitive portraits in which the character of the model is carefully developed. There is great attention to detail and a skillful use of balanced colors. The paintings of Joseph Aulisio are in various public and private collections, including that of the Museum of American Folk Art in New York City and the Everhart Museum, Scranton, Pennsylvania.
For over forty years, his powerful and symbolic representations of humans, animals, and biblical characters have been dominating the galleries and museums in which they are shown. Some of these carved and painted creatures are created from scratch; others, such as his incredible Hydra-Headed Monster, are developed from Miles Carpenter is one of this century's natural objects, such as a gnarled tree root. Carpenter gives each of his works a unique individual touch that makes it distinctive. Born near Lititz, Pennsylvania, in 1889, he was taken at an early age to Waverly, Virginia, where his father established a sawmill.
Cooper Although he was born in the city of Pittsburgh, the Reverend Richard P. Cooper has spent most of his life in the Pennsylvania farm country, and the sights and ways of that land have inspired his work. Born in 1938, Cooper did not begin to paint until 1975, but he had been interested in art for a long time and comes from a line of artists, most prominent of whom was a Scottish great grandfather who was a portrait painter. Unlike many folk artists, Cooper has an acute critical sense that made him reluctant to paint: because of his education, background, and the fact that his wife was an art major in college, he was afraid his work would be criticized.